I can’t get enough of them: books, be them about art, about artists or for artists. So I got to thinking… Why not offer a monthly account of my favorite reads and resources here? Again, I’d love your suggestions to possibly add to my list—I’ll be sure to give you a shout-out if your recommendation makes it to my bookshelf! As for now, I am reading…
Creative Time & Space: Making Room for Making Art by Rice Freeman-Zachery
What first drew me to this book was its vibrant photos of a variety of works by 14 different artists. From sculpture to collage to fashion, it’s all in there. Much more than that are the stories about and insights gleaned from the artists’ different routines, studio spaces, creative processes, etc. How they are inspired and how they work are now inspiring me in my work—even down to making sure I have on hand a good supply of tea, a “real” artist’s beverage of choice apparently.
Painting Accessible Abstracts by Laura Reiter
As I continue to dabble primarily in mixed media, this book intrigues me when it comes to layering all of the elements of a piece, employing color and meaning, considering degrees of abstraction, and making the most of different materials and their unique effects. Fantastic photos and graphics once again enhance the content of this book.
Pastels by Mari Bolte
Children’s books about art are the bomb! Children’s authors don’t have to convince kids to make art and to cut through years of personal fears and doubts—most kids are ready and eager to experiment and create without reservation! I picked up this children’s book as a refresher for my pastels skills; my husband and I took a course several years ago, and I loved playing around with blending. I’m particularly taken with the exercises that produce a more abstract result: “Triple Rainbows” (pages 14-15), “Perspectives” (pages 16-17), “Batik Heat” (pages 20-21) and “Pop Warhol” (pages 26-27).
The Art of Rivalry: Four Friendships, Betrayals, and Breakthroughs in Modern Art by Sebastian Smee
Society often thinks of artists as reclusive types, rarely engaging with other people and the outside world. This book proves quite the contrary by showcasing the relationships between four well-known artist duos: Manet and Degas, Picasso and Matisse, Pollock and de Kooning, Freud and Bacon. Smee defines “rivalry” not as “the macho cliché of sworn enemies, bitter competitors, and stubborn grudge-holders slugging it out for artistic and worldly supremacy.” Instead, she says her portrayals of the artists reflect their “yielding, intimacy, and openness to influence.” I look forward to developing more of my own rivalries—by this definition—as I continue to pursue inspiration, productivity and growth as an artist!