In my continued quest to claim the identity of “artist,” the past few days have provided a couple more opportunities to discover and grow and imagine…
It’s my absolutely favorite fundraiser: Empty Bowls. No matter the amount of their donations, all guests receive all-you-can-eat soup and bread provided by local restaurants and other food-savvy organizations (my favorite soup from this year’s menu came from a nearby nursing home), but the best prize for each person there is a handmade bowl to take home! Middle and high school students, churches, professional artisans, and citizens of all talents and backgrounds contribute to the supply. The whole effort benefits local food shelves.
For the past two years, I have attended Empty Bowls with my friend Judy. It was by her inspiration that I turned my attention toward the more unusual and less conventional bowls. Of all the bowls I’ve collected from the event over the years, these pieces mean the most to me and seem to embody so much personality.
I’ve also taken to naming the bowls I bring home: “Emergence” (2017) by R.W. and “Sensory Sampler” (2018) by Olivia. This year’s find is glazed in a beautiful turquoise color, plus I like Olivia’s experimentation with a different texture on each side of the bowl: brick pattern, fish scales, basket weave, and diamond shapes. As for “Emergence,” I admire it and its mysterious maker so much that I was compelled to write a poem last year:
By Barbara Farland
I imagine a sitting, zitty, and somber teen
Resigned to the day’s assignment
To sculpt a bowl from clump of clay
Young fingers coil
Thumbs tug and nudge
The damp media into resemblance of prescribed form
Endear me to it
So obviously amateur and thoughtless and rushed
Now as mine
I name it
Its rough sides reach up in jagged uncertain stretches
Reminiscent of the awkwardness of its maker
Ever oblivious to my appreciation
And prayers for his soul
His sense of contribution
His eventual awakening
And emergence of spirit
Empty Bowls events are held all over the United States. Find one near you to eat good soup, to support a great cause, and to see and take home some phenomenal art!
A couple weeks ago, I shared my appreciation for Show Your Work! by Austin Kleon. On Wednesday, I picked up his book Newspaper Blackout from the library and read it from front to back in less than an hour. It’s a super quick and super fun read!
Here’s how the gist of the book is described on the back cover: “Armed with a daily newspaper and a permanent marker, he constructs through deconstruction—eliminating the words he doesn’t need to create a new art form: Newspaper Blackout poetry.”
Through this deconstructive method, Kleon came up with a variety of free-verse poems that are sometimes lovely, sometimes humorous, and always clever. But they’re so much more than the words—each piece is also an interesting work of visual art.
I was reminded that I already tried this approach of “poetry-writing meets art-making” through the “28 to Make” class on CreativeLive.com (see photo for my creation of “Mission”). But after reading Kleon’s book, I’m itching to make a little more blackout poetry of my own, but instead of newspaper clippings, I think I’m going to go the altered-book route. Now if I could only find that cool little purple book I bought a few years ago for this very purpose!
Any weekend plans? Mine will include another date with my husband, this time with our taking in the “Crazy About Collages” class at Hopkins Center for the Arts. More on that later!
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